teafeed

Chapter 2 - THE FOOTAGEThey stitched my scalp just above the hairline.

Seven stitches.

Dana told me I was lucky. The monitor had cracked against the side of my skull instead of the center. Lucky meant I was still conscious. Lucky meant I could still remember my own name. Lucky meant my mother had only nearly killed me instead of finishing the job.

By evening, I had a new room.

No visitor access.

Two security guards posted outside.

A police officer came in with a notebook and a face that softened when she saw the dialysis tubing in my arm.

“I’m Officer Elena Morris,” she said. “I need to ask you some questions.”

I told her everything.

The folder. The money. Connor’s business. My refusal. The monitor. My father blocking the window.

Officer Morris wrote without interrupting.

When I finished, she asked, “Do you want to press charges?”

The question should have been difficult.

It was not.

“Yes.”

A tear ran down my cheek, but my voice did not shake.

“Yes, I do.”

Officer Morris nodded. “The hospital is preserving the footage.”

My stomach tightened. “Have you seen it?”

“Not yet. Administration is reviewing it with legal and security first.”

Of course they were.

Because camera footage turns family stories into evidence.

And evidence terrifies people who survive by rewriting the truth.

At 8:14 p.m., my phone began buzzing.

My mother.

Then my father.

Then Connor.

Then my aunt Denise.

Then my cousin Paige.

Then numbers I did not recognize.

I did not answer.

Dana came in and turned the phone face down.

“You don’t owe anyone access to you,” she said.

I almost laughed.

Access.

That was the word for my whole life.

They had access to my bank account, my apartment, my holidays, my guilt, my fear, my need to be loved. They had access to everything except my no.

And the first time I gave them one, my mother tried to split my skull open.

Around nine, Mr. Mercer returned with a woman in a charcoal blazer.

“This is hospital counsel, Ms. Avery Chen,” he said.

Avery pulled a chair beside my bed. “Maya, I want to be clear. The footage exists. It clearly shows your mother striking you with hospital equipment.”

My breath stopped.

“And my father?”

Avery hesitated.

“That portion is also visible. He moved toward the door and obstructed the window while the assault occurred.”

I closed my eyes.

Avery continued gently. “Your brother is visible as well. He did not intervene before the strike. He stepped away.”

“Did they take the folder?”

“No. We have it secured.”

“Good.”

Because that folder mattered too.

My mother had not just lost control.

She had entered my hospital room with prepared documents.

That was not a tantrum.

That was a plan.

Avery folded her hands. “The police will request a copy. We will comply.”

Mr. Mercer added, “Your visitors have been banned from the hospital pending investigation.”

A sound escaped me.

Half laugh.

Half sob.

Banned.

From my hospital room.

From my dying body.

It was the closest thing to protection I had felt in years.

Then Avery’s expression shifted.

“There is one more thing.”

I opened my eyes.

“The recording captured your mother saying, ‘That money belongs to this family.’ It also captured your father saying you have insurance and your brother needs the funds.”

My skin went cold.

“Can that help me?”

“It may.”

“With what?”

Avery glanced at Officer Morris, who had returned quietly near the door.

“With establishing motive.”

That word sat in the air.

Motive.

My mother had always called it sacrifice. Family duty. Loyalty. Respect.

Now someone had given it a legal name.

My phone buzzed again.

This time, Dana glanced at the screen.

Her face hardened.

“It’s a text from your mother.”

I held out my hand.

Dana passed it to me reluctantly.

The message read:

Drop the charges tonight or I will tell everyone you attacked me first.

A second message arrived.

You are sick. No one will believe you.

I looked up at Officer Morris.

She held out her hand.

“May I photograph those?”

I gave her the phone.

For the first time that day, I smiled.

Not because I was happy.

Because Evelyn Whitaker had spent thirty-two years teaching me to fear what people might believe.

May you like

But tonight, belief had nothing to do with it.

The camera had been watching.

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